Representing the creative future

Graduate Shows  –  Jun 2023

Modeklasse 2023: Guided by Grace Wales Bonner

Discover the collections and process of this year’s Modeklasse students

Graduate Shows  –  May 2023

PARSONS BFA FASHION DESIGN 2023: THE BODY IS POLITICAL

Discover the collections and sketchbooks of this year's Parsons BFA Fashion Design graduates

Interviews  –  May 2023

How do you turn your creative talent into a viable career?

D&AD’s Shift night school offers creatives an alternative into the industry

Designers  –  Apr 2023

Are you ready for a knitwear revolution?

IFM Knitwear Director Adam Jones explains how knitwear can transform our industry

Artists  –  Apr 2023

“The best way to protest is to create”: In conversation with Louise Gray

The multidisciplinary artist and educator on her latest exhibition, collaboration, and finding freedom in creativity

Schools  –  Apr 2023

Can vintage fashion be a source of education?

Valentino Vintage opens up their second-hand initiative to schools and students

Fashion Image  –  Mar 2023

Philip Clarke: “The job of the stylist is undervalued”

The CSM Fashion Communication BA course leader explains the history of styling and what makes a good image-maker

Opinion  –  Feb 2022

The existential anguish of designing sustainably

How one BA fashion workshop revealed a missing link in sustainability education

Critics  –  Jan 2022

The politics of fashion

Professor Angela McRobbie teaches us that policy affects creativity

Fashion Educators  –  Jul 2021

Does sustainable business exist? We asked Andrée-Anne Lemieux

The head of the IFM-Kering sustainability chair explained why we need a holistic approach to change

Fashion Educators  –  Jun 2021

Sarah Gresty on why tutors can't have egos

Bottega Veneta's creative director Daniel Lee, invited his former tutor and CSM's BA Fashion course leader to be part of the brand's new campaign; we spoke with her about fashion, teaching, and mental health