Representing the creative future

Designers To Hire

Dominic Huckbody: “We all love a show, don’t we?”

What happens when a graduate show is abruptly cancelled?

Designers To Hire

Mollie-may Boyd on the irrelevance of the outcome

The BA Fashion Design with Marketing graduate questions a fashion education relying on theoretical concepts and overly polished images

Designers To Hire

Isidora Durovic: The case for improvisation in design

From childhood modelling for Celine to designing during the pandemic, Serbian designer Isidora Durovic digs into the Working Girl handbag for her graduate collection

Opinion  –  May 2020

Is using Instagram as a tool for self promotion right for you?

With the extreme rise of social media use during lockdown, young creatives feel forced to put their work out there. Is it worth it?

Business Insiders  –  Feb 2020

Libby Jane Page: “A signature DNA and a strong brand identity are the keys to success”

Net-a-Porter’s Senior Fashion Market Editor on the scouting process and why buying and editorial teams work best in tandem

Fashion Journalism  –  Oct 2019

Fashion finstas or worthwhile watchdogs?

Anonymous Instagram accounts like Diet Prada have more followers than ELLE and Harper’s Bazaar, but none of the accountability. What does the rise of anonymous commentators mean for the fashion industry?

Designers To Hire

Sarah Lim: “Clothing is meant to be worn.”

A down-to-earth approach to design ready to embrace an uncertain future.

Designers To Hire

Hybridising fashion and objects through the work of Grace Ling

Grace Ling on eccentric elegance and intelligent femininity

Artists  –  Jun 2017

Scrolling through art with the Gram_Institute

Martin Strocca, founder and head curator of the newly-published Gram_Institute Gallery, talks us through the importance of authenticity and what the future of art distribution looks like.