Representing the creative future

Designers To Hire

Mollie-may Boyd on the irrelevance of the outcome

The BA Fashion Design with Marketing graduate questions a fashion education relying on theoretical concepts and overly polished images

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Isidora Durovic: The case for improvisation in design

From childhood modelling for Celine to designing during the pandemic, Serbian designer Isidora Durovic digs into the Working Girl handbag for her graduate collection

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How Alexandra Armata unpicked her Polish heritage with her MA collection

She explored the utilitarian wardrobe of Soviet Poland, the impact of politics on dress and the contrast towards today’s hyperconsumption

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Alex Wolfe on chairmen and playful masculinity

Alex Wolfe’s graduate collection, titled ‘The Boredroom,’ challenges traditional menswear codes, expressing playfulness and sensuality

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Julia Ballardt: The poetry of punk

The German designer Julia Ballardt is inspired in her collection by the subculture’s signature emblems of belonging.

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How Yasmina Atta is channeling surrealist African cinema through her graduate collection

The Nigerian designer talks on capturing the feeling of in between-ness that exists when two cultures merge through a single collection that bonds traditional Nigerian doctrines with modern crafting techniques

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Karen Heshi: “Why must a suit look like a suit?”

The designer reflects on the tension between functionality and identification in her graduate collections.

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Sarah Lim: “Clothing is meant to be worn.”

A down-to-earth approach to design ready to embrace an uncertain future.

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Catherine Hudson: The tension of displacement

The British designer wants to reflect the diasporic experience of the Rastafari subculture in her garments.

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“I don’t really see myself as a fashion designer,” – Belgian artist Chris Lensz on mixing fashion design and photography

His graduate collection presented lots of tailoring and revolved around the concept of Victorian mourning

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Rin Choe on the artistry of pattern cutting and deconstructing Korean tradition

Choe fell into the industry unexpectedly, but in doing so, her collection aims to rewrite the traditions of her Korean heritage

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Karolina Widecka and design by conspiracy theory

Her MA collection, ‘Where’s the Curve?’, focuses on conspiracy theories and the paranoia they provoke