Representing the creative future

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Richard Wagner determined Callum Kamara’s fate

Talking with BA Fashion Design graduate Callum Kamara about space, the body, and finding peace in 2020

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Shanti Bell: Representing the Weight of Masculinity

The graduate’s BA collection, featuring woodwork sculptures and tailored menswear, was inspired by conversations with her brother

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Katya Zelentsova on excessive knitwear and two-week trainrides

Embarking on a proverbial train journey to self-discovery, the London-based designer revisits her native Russia

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Mollie-may Boyd on the irrelevance of the outcome

The BA Fashion Design with Marketing graduate questions a fashion education relying on theoretical concepts and overly polished images

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Isidora Durovic: The case for improvisation in design

From childhood modelling for Celine to designing during the pandemic, Serbian designer Isidora Durovic digs into the Working Girl handbag for her graduate collection

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Cilka Sadar: From Olympic slopes to Archigram dresses

Former Olympic snowboarder Cilka Sadar talks about how her snowboarding and the 60s space-age obsession that inspired her collection

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Jisoo Jang wants to “make the future of the Earth happy” with her graduate collection

In an ode to her vase collection, Jisoo Jang’s graduate collection highlights the art of storytelling with an environmental conscious

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How Alexandra Armata unpicked her Polish heritage with her MA collection

She explored the utilitarian wardrobe of Soviet Poland, the impact of politics on dress and the contrast towards today’s hyperconsumption

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Masha Popova flies solo

The recent fashion design graduate found success online and rejected the post-grad job route

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Alex Wolfe on chairmen and playful masculinity

Alex Wolfe’s graduate collection, titled ‘The Boredroom,’ challenges traditional menswear codes, expressing playfulness and sensuality

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How Sandra Poulson wove Angolan history into her collection

The recent graduate discusses her political approach to design and why fashion should be used to spark change.

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Karen Heshi: “Why must a suit look like a suit?”

The designer reflects on the tension between functionality and identification in her graduate collections.