Zille-e-huma Maqbool presents Pakistani embellishments on Americana silhouettes
The Parsons MFA graduate on learning about Vogue and balancing two cultures
Sarah Aphrodite is taking things slow, really slow
Taking her cues from centuries-old costumes, Sarah is trying to pin down the key to creating classics that stand the test of time
Fumika Oshima: “Being limited makes you more creative”
The CSM graduate shares her thoughts on finding new aesthetics outside of your old routines
Jude Ferrari: “Planning a show is like doing a bar mitzvah, sweet sixteen and wedding at the same time”
Having lost her job and relocated to her parents’ house because of coronavirus, CSM graduate Jude Ferrari is pinning her hopes on building her own brand
Josephine Sidhu: Post-graduation growing pains
The CSM menswear graduate on childhood memories, see-through swimming costumes and adjusting to life outside the art school bubble while under lockdown.
There’s no pattern for a pandemic: fashion during coronavirus
We asked fashion creatives how the pandemic is affecting them, from cancelled jobs and calls for self-improvement to cries for help and compassion.
Rory Parnell Mooney: “Hopefully we can learn to slow down”
In the midst of a pandemic, Rory shares his tips for working in isolation, adapting to a slower pace, and how he is helping fashion students during quarantine
Timothée Gleize: Fashion + technology = sustainability
This RCA graduate designer is making technology humane with his virtual reality creations
Ida Petersson: “Don’t run before you can walk”
Browns’ Director of Men’s and Womenswear Buying on the hopes and hardships of emerging talent
Libby Jane Page: “A signature DNA and a strong brand identity are the keys to success”
Net-a-Porter’s Senior Fashion Market Editor on the scouting process and why buying and editorial teams work best in tandem
Arnar Már Jónsson and Luke Stevens: Getting better every day
The designer duo are swapping seasonality and newness for continuity and refinement
