Representing the creative future

Designers  –  May 2020

Quarantine Dispatch #5: One jacket and some toiles

A fashion design student at the National College of Art and Design in Dublin shares her thoughts on making her final collection in lockdown

Opinion  –  Apr 2020

Weed in fashion education

Why do fashion students in California use weed and how does it affect their creativity?

Designers  –  Mar 2020

Josephine Sidhu: Post-graduation growing pains

The CSM menswear graduate on childhood memories, see-through swimming costumes and adjusting to life outside the art school bubble while under lockdown.

Designers  –  Mar 2020

Rory Parnell Mooney: “Hopefully we can learn to slow down”

In the midst of a pandemic, Rory shares his tips for working in isolation, adapting to a slower pace, and how he is helping fashion students during quarantine

Fashion Journalism  –  Mar 2020

Clare Press: Wardrobe Crisis

Vogue Australia’s Sustainability Editor on climate-conscious fashion journalism

Designers  –  Mar 2020

JETPACK hom(m)e: Made in LA, marketed in Paris

Designer Ryan Morar on making an impact from the outskirts of fashion.

Parsons  –  Mar 2020

Embodying Universal Bodies: Disability

A new first-year project on the Parsons MFA course tackles societal issues and seeks positive change through fashion design

Parsons  –  Mar 2020

Embodying Universal Bodies: Plus Size

A new first-year project on the Parsons MFA course tackles societal issues and seeks positive change through fashion design

Parsons  –  Mar 2020

Embodying Universal Bodies: Ageing

A new first-year project on the Parsons MFA course tackles societal issues and seeks positive change through fashion design

Parsons  –  Mar 2020

Parsons MFA: Embodying Universal Bodies

MFA leaders Shelley Fox and JOFF are intent on training inclusive designers. Here’s how.

Miscellaneous  –  Feb 2020

Roger Tredre: The Great Fashion Designers

Who made the cut and why?

Opinion  –  Jan 2020

Why are we burning out?

Students are increasingly stressed, anxious, and afraid to fail. What does that mean for our creative future?