1 Granary
Representing the creative future
Diane Gaignoux on humanising the fashion industry
The CSM fashion design graduate shares her journey of figuring out the lines between fashion and art
CSM BA FASHION 2021: discover the entire class
Happiness over success: The 106 CSM BA FASHION graduates talk about their inspiration and techniques
Duran Lantink’s new show uses drones and influencers, but it’s more than a marketing gimmick
The team behind the Duran Lantink Springsummerautumnwinter show wants you to engage with technology beyond aesthetics
Khanh Brice Nguyen on knitwear, experimental processes, and freelance work
The young designer pushes the limits of knitwear and questions the process behind the craft
Knitwear designer Christina Seewald on the privilege of teamwork
The Austrian designer shares what inspires her work, the values she believes in, and who drives her to aim higher
Louis Shengtao Chen on launching a brand in China straight out of university
The recent graduate shares his experience from graduation to Shanghai Fashion Week
Thierry Rondenet wants fashion students to deconstruct clichés
The MA menswear director at IFM asks his students to rethink dogmas ‒ but makes sure they have fun in the process
Experimental Textiles & Visual identity: Sketchbooks
8 CSM BA Fashion Design with Marketing students reflect on developing their brand and exploring sustainable design through textiles
A conversation on remote teaching with Charles Jeffrey, Phoebe English and Stephanie Cooper
What are the the unique challenges of remote fashion learning?
CSM MA FASHION SHOW 2021: Purpose over hype
Education without structure gave this graduate class the opportunity to think outside of the box
These CSM MA Fashion graduates prove that fashion is political
Explore the process and sketchbooks of 8 designers from this year’s Central Saint Martins’ MA Fashion course
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.