Representing the creative future

Diane Gaignoux on humanising the fashion industry

The CSM fashion design graduate shares her journey of figuring out the lines between fashion and art

Jun 11, 2021

CSM BA FASHION 2021: discover the entire class

Happiness over success: The 106 CSM BA FASHION graduates talk about their inspiration and techniques

Jun 10, 2021

Duran Lantink’s new show uses drones and influencers, but it’s more than a marketing gimmick

The team behind the Duran Lantink Springsummerautumnwinter show wants you to engage with technology beyond aesthetics

May 13, 2021

Khanh Brice Nguyen on knitwear, experimental processes, and freelance work

The young designer pushes the limits of knitwear and questions the process behind the craft

May 12, 2021

Knitwear designer Christina Seewald on the privilege of teamwork

The Austrian designer shares what inspires her work, the values she believes in, and who drives her to aim higher

May 11, 2021

Louis Shengtao Chen on launching a brand in China straight out of university

The recent graduate shares his experience from graduation to Shanghai Fashion Week

May 7, 2021

Thierry Rondenet wants fashion students to deconstruct clichés

The MA menswear director at IFM asks his students to rethink dogmas ‒ but makes sure they have fun in the process

Apr 15, 2021

Experimental Textiles & Visual identity: Sketchbooks

8 CSM BA Fashion Design with Marketing students reflect on developing their brand and exploring sustainable design through textiles

Apr 1, 2021

CSM MA FASHION SHOW 2021: Purpose over hype

Education without structure gave this graduate class the opportunity to think outside of the box

Mar 25, 2021

These CSM MA Fashion graduates prove that fashion is political

Explore the process and sketchbooks of 8 designers from this year’s Central Saint Martins’ MA Fashion course

Mar 25, 2021

1 Granary

Magazine Issue 6

With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.

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