1 Granary
Representing the creative future
Quarantine Dispatch #9: From Paris to Budapest
Flora Inez Poprádi, a Nicaraguan-Hungarian fashion designer currently based in Budapest shares her diary entries
Fashion Week shouldn’t exist in 2025
As systemic flaws are laid bare by Covid-19 and technology unlocks new worlds, Steve Salter argues that shows and schedules will soon be radically reimagined.
No Money in their Prada purse
Meet Giulia Mensitieri, the anthropologist who uncovered the precarity of fashion workers
Does it really take a genius?
To what extent does our fixation with individual talent enable a culture of abuse?
Unpacking Education reform and critical Race Theory
A conversation on race, fashion and education
What is the future of fashion education?
A conversation with curator, artist and writer Georgina Johnson about her new book “The Slow Grind” and how the fashion industry can do better
Demand anti-racist education
We need an education that addresses racism DIRECTLY
Do we need a digital fashion week?
Business insiders are taking their stance on the upcoming digital fashion week in June
Is using Instagram as a tool for self promotion right for you?
With the extreme rise of social media use during lockdown, young creatives feel forced to put their work out there. Is it worth it?
How does it feel when everyone looks at your job as a hobby?
With the rise of artistic activities as hobbies, we are investigating the effect of “art is for everyone” on the realities of professional creatives
“SO CSM”: Are art-school kids a subculture?
Can we talk about an authentic subculture when today’s students need to fit in a system in order to survive?
Quarantine Dispatch #7: Struggling with depression pre, during and post lockdown
A Slovenian fashion student describes how it feels when others’ isolation lows are your everyday normal
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.