1 Granary
Representing the creative future
How to hold a fashion show in lockdown
We spoke to Christina Seewald, who after the cancellation of her physical show in Vienna, will be launching her FW20/21 collection via Instagram TV
The ultimate list of online research resources
Whether you’re more into eighteenth century pastel portraits or 90’s Prada, this list has you covered
Here's how you can help hospitals with your fashion skills
Fashion professionals and students are making scrubs for nurses and doctors. You can do it too
Postponed Indefinitely
Self-employed stylists share how they are navigating COVID-19
Kim Sion: Behind the curtain, drawing the strings of the industry
After 30 years, the founder of Smile Management has a relatively low profile, but her clients' are stratospheric
Graeme Raeburn: “Nothing you make is ever completely sustainable”
Christopher Raeburn’s performance director (and brother) shares his guide to building a brand based on prosperity
No Fashion (Week) on a Dead Planet
Extinction Rebellion’s call to cancel London Fashion Week was met with raucous resistance. But what would cancelling fashion week actually mean? And what other solutions are out there?
The State of London Fashion Week
Recent graduates share their true thoughts on London Fashion Week. Is the system broken?
curate an exhibition... with no experience
Rule number 7: thank everyone (twice!)
Build An Independent Fashion Brand
Ahead of tomorrow's festival, the Bridge Co. founder Katie Rose gives young designers advice on where to start.
Can You Really Make Money Freelancing In Fashion?
The answer is yes! It isn’t going to be easy, but we have some tips to save you from learning the hard way.
It’s about Time: VOID In Conversation with the Next Generation
Organised in collaboration with Red Hook Labs, the VOID project scrutinized the financial reality of starting a fashion label in New York.
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.