Representing the creative future

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How Sandra Poulson wove Angolan history into her collection

The recent graduate discusses her political approach to design and why fashion should be used to spark change.

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Julia Ballardt: The poetry of punk

The German designer Julia Ballardt is inspired in her collection by the subculture’s signature emblems of belonging.

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How Yasmina Atta is channeling surrealist African cinema through her graduate collection

The Nigerian designer talks on capturing the feeling of in between-ness that exists when two cultures merge through a single collection that bonds traditional Nigerian doctrines with modern crafting techniques

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Johanna Parv: “Is femininity a form or an action?”

Womenswear graduate Johanna Parv questions the extent to which the shapes from everyday, active situations impose restrictions on the female form

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Mei Sze Tsang designs workwear for bricklayers

Reimagining a working-class uniform with nary a blue collar in sight.

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Samantha D’iorio: Why does size matter?

The Australian designer questions the state of body inclusivity in the industry, and focuses on fit and function.

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Joshua Crabtree feels fortunate in 2020

A conversation with Joshua Crabtree on trying to fill the void post-graduation and finding something positive

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Daichi Tabata on championing storytelling through design

The Japanese graduate discusses his unusual journey into fashion, translating emotion through design and why we should be repurposing our clothes

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Chi Yu Han and the gender divide in fashion

The New York-based designer thinks carefully about masculine and feminine roles within a given garment.

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London-based knitwear designer Eleana Burrow’s design process based on her instinct

Designing is a response to her own life, so practicality meet emotions, textures, lines and shapes to structure the fluid silhouettes in her knits