Representing the creative future

Opinion  –  Apr 2022

The toxic relationship between your impostor syndrome and your creativity

What is the impostor syndrome and how can creatives fight it?

Graduate Shows  –  Apr 2022

Institut Français de la Mode MA 2022: Crafting Utopia From Uncertainty

See the show and discover this year’s graduating line-ups and sketchbooks

Opinion  –  Mar 2022

A guide through the e-commerce maze for emerging designers

Understanding online shopping for fashion in 2022

Designers  –  Mar 2022

Matty Bovan: “Don’t try to be something you’re not”

For the International Woolmark Prize winner, celebrating character is the key to success

Miscellaneous  –  Mar 2022

Flourish In Diversity: The training programme that opens up the room

Discover the paid training programme for school leavers from minority ethnic backgrounds

The Establishment  –  Mar 2022

FASHION UNITES AGAINST WAR: The open letter and its signatories

An open letter to the fashion industry, how you can sign it and who has signed it so far

Miscellaneous  –  Feb 2022

Collaborating with brands: Everything you need to know

Expert information about the artist, the brand, and the commission

Fashion Image  –  Feb 2022

Ben Ditto on hacking, NFTs and the future of image

An unfiltered conversation about internet ethics, taste, and making art online

Miscellaneous  –  Feb 2022

Women’s figure skating subtle fashion moments

Who doesn’t love some figure skating fashion?

Graduate Shows  –  Feb 2022

CSM MA Fashion 2022: STOP OVERTHINKING, IT KILLS YOUR CREATIVITY

Discover this year’s CSM MA Fashion show, line ups, and sketchbooks

Opinion  –  Feb 2022

Do your parents hate your creative career too?

If your family looks down on your professional choices, you are not alone

Opinion  –  Feb 2022

Resisting the neoliberal utopia that is fashion

A conversation with Sophie Fellay on how practices of care can make fashion a better place