Representing the creative future

Lina Scheynius: The photographer that digitised the personal

A pioneer of “raw” photography who never wandered off her own path talks about the journey of sharing her work online

Feb 24, 2021

The wild creativity of the Ukrainian folk Christmas holiday Malanka

Folklore Christmas costumes as documented by 3 creatives

Jan 7, 2021

28 Hats for Lamu: a virtual exhibition about environmental empathy

28 Hats for Lamu: a virtual exhibition about environmental empathy

Photographer Kristin-Lee Moolman and stylist Louise Ford discuss their latest exhibition “28 Hats for Lamu”

Dec 10, 2020

Nick Knight on working hard and embracing the new

Legendary image maker Nick Knight reflects on the new ways of working in fashion and shares his advice

Dec 9, 2020

Photographer Alexandra Leese on the power of saying no

British-Chinese photographer Alexandra Leese on empowering the female body and navigating the pressures of the industry

Dec 9, 2020

Self Portrait by Huber Crabieres

Is 2020 the time of the elevated self-portrait?

Hubert Crabières on wearing objects and adapting his creativity to the new normal

Jun 16, 2020

Daniela Benaim: “There is no single definition of home”

As we are all forced indoors, the stylist and creative director revisits her CSM final project, ‘La Casa’

Apr 15, 2020

Ice Ice Baby Spice: 3D fashion gets a meme-worthy makeover

Digital fashion filmmaker Agusta Yr on Iceland, Internet culture and her new collaboration with No Agency New York and 1 Granary Showroom

Feb 5, 2020

Polly Brown: "I work best when I’m bored"

Photographer Polly Brown explores the damaging role of airport security in her upcoming exhibition, Airportals

Oct 23, 2019

The extraordinary banality of Jamie Hawkesworth

"I’m just trying to take the pictures that I myself am proud of. I’m never thinking about the customer."

Jun 5, 2019

1 Granary

Magazine Issue 6

With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.

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