13 Dec 2018

Fashion Educators

San Francisco's Simon Ungless

“Do you have a sex tape? Otherwise, I suggest you start designing.”

25 May 2018

How to

Build An Independent Fashion Brand

Ahead of tomorrow's festival, the Bridge Co. founder Katie Rose gives young designers advice on where to start.

29 Oct 2017

Fashion Educators

Fleet Bigwood

"Trends to me are things that other people make up."

03 Jul 2017

Business Insiders

Jenny Meirens

Business and creativity merged with Jenny Meirens

23 Feb 2016

Graduate Shows

Central Saint Martins MA Fashion 2016


The Fashion Graduate Diplomas: Grace Son

03rd August

Yesterday we published an interview with David Kappo, MA Fashion tutor at the Royal College of Art, and the course leader of the Graduate Diploma in Fashion at Central Saint Martins; today we share the last instalment of our recent series, showing the work of Grace Son who based her final collection on the flexibility of cats — a project that perfectly illustrates the current feline obsession of society at-large.

Can you point out one good and one bad memory of this year spent at Central Saint Martins?

A good memory is from the last day of the fabric project in the first term: my class had a group photo for the first time; we were a bit awkward together, but we had fun!

What was the main inspiration for your collection?

My final collection is about the flexibility of cats. I think that their flexibility makes them the most unique creatures in the world. I grew up with cats and the interaction I experienced with them was hugely inspiring. I wanted show how I interpret a cat’s body movements and translate them into a garment. I was especially focused on fabric development to express a cat’s twisted body.

Did your vision or way of working change throughout the course?

I don’t think so. I’ve learned to work more efficiently and flexibly from my very intensive course, but it is about improving, not changing.

What makes your work stand out? 

I always keep questioning myself if I am really happy with the current process of my work or not. If my mind says no, I just stop everything and go back to the first stage, no matter how busy I am. That determination makes me develop my talents and achieve the best results in my work. I always enjoy the 3D work parts, such as draping and fabric development — it’s very challenging but it provides an unexpected approach to design for me.

Words and photography Carolina Molossi