Mei Sze Tsang designs workwear for bricklayers
Reimagining a working-class uniform with nary a blue collar in sight.
Time to sync with our feelings, through our clothes
René Scheibenbauer on using emotions as the first step of his design process
Quarantine Dispatch #8: Redefining my craftsmanship
Larissa Sehringer, Parsons fashion student, sees every problem as a design flaw
Joshua Crabtree feels fortunate in 2020
A conversation with Joshua Crabtree on trying to fill the void post-graduation and finding something positive
Daichi Tabata on championing storytelling through design
The Japanese graduate discusses his unusual journey into fashion, translating emotion through design and why we should be repurposing our clothes
Chi Yu Han and the gender divide in fashion
The New York-based designer thinks carefully about masculine and feminine roles within a given garment.
London-based knitwear designer Eleana Burrow’s design process based on her instinct
Designing is a response to her own life, so practicality meet emotions, textures, lines and shapes to structure the fluid silhouettes in her knits
Talia Byre is collecting her heritage
Recent graduate Talia Byre talks intimate details about realising her purpose and how to get through the "4 am on the kitchen floor" moments.
Karen Heshi: “Why must a suit look like a suit?”
The designer reflects on the tension between functionality and identification in her graduate collections.
Sarah Lim: “Clothing is meant to be worn.”
A down-to-earth approach to design ready to embrace an uncertain future.
Nico Verhaegen designs an ode to nomadic existence
An unusual parallel is drawn between shamans and bike messengers in Verhaegen’s recent graduate collection.
