Jisoo Jang wants to “make the future of the Earth happy” with her graduate collection
In an ode to her vase collection, Jisoo Jang’s graduate collection highlights the art of storytelling with an environmental conscious
How Alexandra Armata unpicked her Polish heritage with her MA collection
She explored the utilitarian wardrobe of Soviet Poland, the impact of politics on dress and the contrast towards today’s hyperconsumption
How Yasmina Atta is channeling surrealist African cinema through her graduate collection
The Nigerian designer talks on capturing the feeling of in between-ness that exists when two cultures merge through a single collection that bonds traditional Nigerian doctrines with modern crafting techniques
Johanna Parv: “Is femininity a form or an action?”
Womenswear graduate Johanna Parv questions the extent to which the shapes from everyday, active situations impose restrictions on the female form
Michaela Stark addresses fashion’s sizing problem
Take a look at an exclusive shoot for Michaela Stark's latest collection photographed by Carlijin Jacobs and styled by Ai Kamoshita
Lutz Huelle: The punk nature of less
The Parisian designer thinks that making fashion simpler is the only rational response to the pandemic
Rin Choe on the artistry of pattern cutting and deconstructing Korean tradition
Choe fell into the industry unexpectedly, but in doing so, her collection aims to rewrite the traditions of her Korean heritage
Sofia Mollberg: “We musn’t shame vulnerability”
The Swedish designer is using her graduate collection to discuss the importance of body language and recognising the effects on mental health in the fashion industry
How Annemarie Saric is making luxury available for all with her MA collection
The Austrian designer mirrored the streamlined shapes of concept cars, inspired by the beacons of future possibility for her graduate collection to highlight the power of the silhouette
