How Sandra Poulson wove Angolan history into her collection
The recent graduate discusses her political approach to design and why fashion should be used to spark change.
How Yasmina Atta is channeling surrealist African cinema through her graduate collection
The Nigerian designer talks on capturing the feeling of in between-ness that exists when two cultures merge through a single collection that bonds traditional Nigerian doctrines with modern crafting techniques
How to apply to CLASS OF 2020VISION
As graduate shows are forced to become digital discovery platforms, here is how you can apply to Class of 2020Vision, a next generation final year show supporting the next generation of fashion brands.
Joshua Crabtree feels fortunate in 2020
A conversation with Joshua Crabtree on trying to fill the void post-graduation and finding something positive
London-based knitwear designer Eleana Burrow’s design process based on her instinct
Designing is a response to her own life, so practicality meet emotions, textures, lines and shapes to structure the fluid silhouettes in her knits
Talia Byre is collecting her heritage
Recent graduate Talia Byre talks intimate details about realising her purpose and how to get through the "4 am on the kitchen floor" moments.
Catherine Hudson: The tension of displacement
The British designer wants to reflect the diasporic experience of the Rastafari subculture in her garments.
“I don’t really see myself as a fashion designer,” – Belgian artist Chris Lensz on mixing fashion design and photography
His graduate collection presented lots of tailoring and revolved around the concept of Victorian mourning
Rin Choe on the artistry of pattern cutting and deconstructing Korean tradition
Choe fell into the industry unexpectedly, but in doing so, her collection aims to rewrite the traditions of her Korean heritage
Heidi meets Pablo Rousson
What would an encounter between alpine aesthetic and sensual men from the 80s look like?
Davina Amajor on multi-functional garments and overlooked materials
With her BA collection ‘90 Degrees’, Davina set out to recover the functionality and aesthetic value of worn fabrics that were once undesired, in order to prevent them from being disposed of
