Representing the creative future

Sirui Ma celebrates her Asian heritage and the women in her life

‘Little Things Mean a Lot’ is the photographer's first solo exhibition in London

Hosted at Hackney Gallery, the show runs from the 21st to the 30th of June, displaying an intimate and delicate series of works shot throughout the past year. “A professional noticer” is how Sirui Ma likes to describe her work as a photographer. Despite an almost inherent interest in taking pictures since the age of six, encouraged by a small digital camera gifted by her father, Sirui’s creative path has been slowly and steadily built through a lot of experimentation with multiple practices across arts and fashion. Born in Beijing and raised between China, New York, and London, where she is currently based, the photographer now reaches a milestone in her career as she debuts her first solo exhibition, “Little Things Mean a Lot,” showcased this month at Hackney Gallery in London. “It took a long time for me to find my voice creatively. Not that I haven’t had one up until now, but this show marks the point where I think I really know what my distinct and unique voice is,” she says.

The exhibition displays a collection of images shot throughout 2023, where themes of belonging, connection, and personal and collective identity coexist with nature in London’s landscape. The delicate body of work is, as she describes, “a self-portrait through the women around her.”

By capturing the solidarity among women of Asian heritage living in the city, their experiences, challenges, and relationships, Sirui wants people to see her work and recognize the beauty in their everyday lives. Here, the photographer talks about the challenges of putting together an exhibition and reflects on her pathway and future goals.

Interested in photography since a very young age, you’ve managed to build a solid career in the creative industry. How would you say your style has evolved? What are you most interested in portraying now and why?

I think I have a clearer sense of what I’m trying to communicate now. I’m most interested in portraying real people and real stories. I’ve always been drawn towards exploring the beauty in everyday human experiences and sharing that through my work. That’s what feels universal and accessible to me.

Where did the inspiration for the exhibition come from? How did your creative process work?

The inspiration was just everyday life. I didn’t think too much about the end goal or anything when I was still shooting, and I tried not to limit myself too much—everything was quite loose. For me, things begin to take shape when I look back at the work after I get the sense that the shooting part is done.

“For an artist, a first show is kind of an announcement, a declaration of who they are. So, it was a conscious decision to dedicate my first show to the women in my life.” – Sirui Ma

What are the biggest challenges of being a photographer and putting together this exhibition?

It’s a lot more challenging than I anticipated! There were so many details I didn’t even think about initially. INK [a creative post-production studio based in East London] handled the post-production, which, if I took on alone, would have taken months. Peach/pages, the arts organization that helped me put this exhibition together, relieved me of a lot of stuff I didn’t even consider, such as graphics and writing. Even though it’s a solo show, it’s actually a huge group project.

A few years ago, you gave us an interview where you said, “The older you get, the more aware of your identity you become.” Would you still agree with that statement, considering that your latest work portrays women of Asian heritage living in London?

Definitely. Even though my work does feature Asian protagonists a lot of the time, I think it feels quite meaningful that my first show centers on Asian women. For an artist, a first show is kind of an announcement, a declaration of who they are. So, it was a conscious decision to dedicate my first show to the women in my life.

Do you believe the creative and fashion industries are more open to diversity than they used to be back then? Have you noticed any key differences?

Yes, but only to an extent. A lot of the time diversity goes only so far as tokenization.

“Something that’s heightened by the cost-of-living crisis is knowing what kind of jobs to turn down. When I’m not sure, I always follow my gut or ask my friends.” – Sirui Ma

What is the most challenging aspect of being a professional photographer in the cost-of-living crisis? How do you approach that?

It’s always a challenge, and I think something that’s heightened by the cost-of-living crisis is knowing what kind of jobs to turn down. When I’m not sure, I always follow my gut or ask my friends.

What would be your advice for aspiring photographers?

Find your voice.

What are your next steps and plans in your career?

It’s been amazing being able to dedicate years to a project like ‘Little Things Mean a Lot,’ so I’d love to continue working on larger bodies of work and exhibitions. I’m currently working on two books that will hopefully both be released by the end of this year, and which I’m very excited about!

 

“Little Things Mean a Lot” opens to the public from Friday, the 21st of June to Sunday, the 30th, from 12 to 7 pm at Hackney Gallery in London. The show is presented by Peach/pages, a community-led platform supporting Asian artists through exhibitions, shows, and printed zines.