1 Granary
Representing the creative future
Movies that are underrated sources of fashion inspiration
As suggested by our audience!
Scarlett Yang envisions clothes as a circular living system
What does it mean to ditch usual fabrics and invent a new organic matter for clothes?
Fidan Novruzova: The argument for starting your brand back home
Speaking to us from Moldova, the CSM graduate spills the beans about working away from London
Thierry Rondenet wants fashion students to deconstruct clichés
The MA menswear director at IFM asks his students to rethink dogmas ‒ but makes sure they have fun in the process
Dominic Huckbody: “We all love a show, don’t we?”
What happens when a graduate show is abruptly cancelled?
Menswear designer Ben Osborn on following his own pace
The Royal College of Art graduate shares the organic process of starting his brand
Five Independent Jewellery Designers to Discover
A hand-picked selection of the most exciting jewellers to support
‘30 jeans 30 days’: Alexandra Armata unveils her quarantine project
‘Quaranjean’, the latest project of CSM graduate Alexandra Armata highlights the power of denim and its endless interpretations
The vicious cycle of creative perfectionism
Harmful self-doubt or critical acclaim? Creative perfectionism is a ridge walk between extremes
Goom Heo on preparing for the unknown as a young brand
The South-Korean designer talks authenticity and the challenges that emerge with a prolonged pandemic in the time of Brexit
Anne Isabella: Starting a brand with a clean conscience
Discover the inner workings behind the Berlin-based emerging label
Katya Zelentsova on excessive knitwear and two-week trainrides
Embarking on a proverbial train journey to self-discovery, the London-based designer revisits her native Russia
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.