Representing the creative future

Working class fashion students falling through the cracks

Is COVID-19 widening the class gap between fashion students?

Apr 24, 2020

Nightmares and creativity during COVID-19

Why are we seeing such vivid dreams and how can we make them a part of our creative process?

Apr 23, 2020

The ultimate list of online research resources

Whether you’re more into eighteenth century pastel portraits or 90’s Prada, this list has you covered

Apr 22, 2020

Milka Seppänen: “The capacity to adapt is this generation’s biggest asset”

The Aalto graduate on making fashion that is personal, punk and proud to be sustainable

Apr 20, 2020

Weed in fashion education

Why do fashion students in California use weed and how does it affect their creativity?

Apr 20, 2020

Fashion schools in lockdown: Montreal

Montreal’s fashion students on dealing creatively with the uncertainty of the moment

Apr 16, 2020

Daniela Benaim: “There is no single definition of home”

As we are all forced indoors, the stylist and creative director revisits her CSM final project, ‘La Casa’

Apr 15, 2020

Here's how you can help hospitals with your fashion skills

Fashion professionals and students are making scrubs for nurses and doctors. You can do it too

Apr 14, 2020

Postponed Indefinitely

Self-employed stylists share how they are navigating COVID-19

Apr 11, 2020

Zille-e-huma Maqbool presents Pakistani embellishments on Americana silhouettes

The Parsons MFA graduate on learning about Vogue and balancing two cultures

Apr 9, 2020

Giacomo Piazza on the end of fashion as we know it

Co-founder of the multi-brand showroom 247 on digitalisation of buying and how to survive as an emerging designer during a pandemic

Apr 7, 2020

Sarah Aphrodite is taking things slow, really slow

Taking her cues from centuries-old costumes, Sarah is trying to pin down the key to creating classics that stand the test of time

Apr 3, 2020

1 Granary

Magazine Issue 6

With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.

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