1 Granary
Representing the creative future
Working class fashion students falling through the cracks
Is COVID-19 widening the class gap between fashion students?
Nightmares and creativity during COVID-19
Why are we seeing such vivid dreams and how can we make them a part of our creative process?
The ultimate list of online research resources
Whether you’re more into eighteenth century pastel portraits or 90’s Prada, this list has you covered
Milka Seppänen: “The capacity to adapt is this generation’s biggest asset”
The Aalto graduate on making fashion that is personal, punk and proud to be sustainable
Weed in fashion education
Why do fashion students in California use weed and how does it affect their creativity?
Fashion schools in lockdown: Montreal
Montreal’s fashion students on dealing creatively with the uncertainty of the moment
Daniela Benaim: “There is no single definition of home”
As we are all forced indoors, the stylist and creative director revisits her CSM final project, ‘La Casa’
Here's how you can help hospitals with your fashion skills
Fashion professionals and students are making scrubs for nurses and doctors. You can do it too
Postponed Indefinitely
Self-employed stylists share how they are navigating COVID-19
Zille-e-huma Maqbool presents Pakistani embellishments on Americana silhouettes
The Parsons MFA graduate on learning about Vogue and balancing two cultures
Giacomo Piazza on the end of fashion as we know it
Co-founder of the multi-brand showroom 247 on digitalisation of buying and how to survive as an emerging designer during a pandemic
Sarah Aphrodite is taking things slow, really slow
Taking her cues from centuries-old costumes, Sarah is trying to pin down the key to creating classics that stand the test of time
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.