Sarah Aphrodite is taking things slow, really slow
Taking her cues from centuries-old costumes, Sarah is trying to pin down the key to creating classics that stand the test of time
Fumika Oshima: “Being limited makes you more creative”
The CSM graduate shares her thoughts on finding new aesthetics outside of your old routines
There’s no pattern for a pandemic: fashion during coronavirus
We asked fashion creatives how the pandemic is affecting them, from cancelled jobs and calls for self-improvement to cries for help and compassion.
Clare Press: Wardrobe Crisis
Vogue Australia’s Sustainability Editor on climate-conscious fashion journalism
JETPACK hom(m)e: Made in LA, marketed in Paris
Designer Ryan Morar on making an impact from the outskirts of fashion.
Embodying Universal Bodies: Disability
A new first-year project on the Parsons MFA course tackles societal issues and seeks positive change through fashion design
Embodying Universal Bodies: Plus Size
A new first-year project on the Parsons MFA course tackles societal issues and seeks positive change through fashion design
Embodying Universal Bodies: Ageing
A new first-year project on the Parsons MFA course tackles societal issues and seeks positive change through fashion design
Parsons MFA: Embodying Universal Bodies
MFA leaders Shelley Fox and JOFF are intent on training inclusive designers. Here’s how.
How Sydney Pimbley won the LVMH scholarship and started her own brand
The CSM graduate stitching stolen wool into her brand identity shares the process behind the prize
Libby Jane Page: “A signature DNA and a strong brand identity are the keys to success”
Net-a-Porter’s Senior Fashion Market Editor on the scouting process and why buying and editorial teams work best in tandem
