Scarlett Yang envisions clothes as a circular living system
What does it mean to ditch usual fabrics and invent a new organic matter for clothes?
Mollie-may Boyd on the irrelevance of the outcome
The BA Fashion Design with Marketing graduate questions a fashion education relying on theoretical concepts and overly polished images
Florentina Leitner: “Do we really need more fashion?”
The recent graduate on why fashion shouldn’t be forgotten during a pandemic, what fashion school doesn’t prepare you for and the importance of sparking joy with her creation.
Jay Juyeon Lee: Measurements are subjective
The South Korean designer is celebrating the physicality of the human figure.
Shuxuan Li’s womenswear speaks its own language
Based in New York, Chinese knitwear designer Shuxuan Li creates fitted yet loose womenswear that explores contrasts and tensions between artistic heritage and superficial modernity.
François-Xavier Lefebvre and the fashionable fetish
Where latex Vacuum Cubes meet playful design to escape everyday life.
How Sandra Poulson wove Angolan history into her collection
The recent graduate discusses her political approach to design and why fashion should be used to spark change.
What do Creative Directors and Designers actually do?
The inherent opaqueness of our industry makes it difficult to look behind the scenes
Julia Ballardt: The poetry of punk
The German designer Julia Ballardt is inspired in her collection by the subculture’s signature emblems of belonging.
How Yasmina Atta is channeling surrealist African cinema through her graduate collection
The Nigerian designer talks on capturing the feeling of in between-ness that exists when two cultures merge through a single collection that bonds traditional Nigerian doctrines with modern crafting techniques
Johanna Parv: “Is femininity a form or an action?”
Womenswear graduate Johanna Parv questions the extent to which the shapes from everyday, active situations impose restrictions on the female form
