Representing the creative future

Designers To Hire

Yamil Arbaje: Clothing as the Personal and Political

The Latin American designer merged personal and political history for his graduate collection, looking to working class aesthetics from his home country in the 1960s

Designers To Hire

Joe Pearson presents Five Archetypal Men in One Collection

His work explores notions of masculinity that range from the elegant yet nonchalant appearance of the dandy to Mr Pearl’s corsets to the traditional businessman’s suit

Designers To Hire

Polly Henderson: Between authentic and synthetic

The British designer is inspired in her process by the art of manipulating reality in photography

Designers To Hire

Kat Lau’s man: contemporary, unregulated and free like a bird

Inspired by theories on the relation between body and mind, London-based menswear designer Kat Lau creates lightweight functional pieces that are meant to last.

Designers To Hire

Keren Xu: a man laced up in corsetry

Through drape and corsetry, the Chinese menswear designer praises the power of being feminine.

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Jessica Guzman on machine-knitting careful chaos

Can you manufacture the same garment differently every time? Jessica Guzman’s semi-elasticated knits say yes.

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Imogen Shields’ highly saturated office space

Combining psychology and fashion the designer explores her love and hate for suited men

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Wenhai Su on cross-cultural heritage and sustainable development

Expressing a fragmented impression of youth and culture, ‘Crystal Blinkers’ is an exploration of Wenhai’s multi-layered world.

Designers To Hire

Vintage aficionado, Jiyong Kim, uses nature as a design device

What does it look like when nature becomes your greatest collaborator?

Designers To Hire

Charlotte Richard’s pixels and threads

The designer’s experience as a student, her digital graduate collection and her feelings about the fashion industry

Designers To Hire

Beau Scarlett-Pitt on erotic identities, Savile Row-tailoring, and The Village People

“I’ve always said one of the reasons I got into fashion was because I’m tone-deaf and no one wanted to start a band with me.”