Representing the creative future

Miscellaneous  –  Sep 2023

1 GRANARY ISSUE SEVEN: anonymous testimonies from the inside of luxury fashion studios

How can we build a healthier and less secretive industry? We started by having uncomfortable conversations

Interviews  –  Jul 2021

Jessica Madavo speaks to Ronan Mckenzie about forging your own career path

Is there a way to have a career in the industry if you do not attend a university or have any connections?

Designers To Hire

Richard Wagner determined Callum Kamara’s fate

Talking with BA Fashion Design graduate Callum Kamara about space, the body, and finding peace in 2020

Designers To Hire

Shanti Bell: Representing the Weight of Masculinity

The graduate’s BA collection, featuring woodwork sculptures and tailored menswear, was inspired by conversations with her brother

Designers To Hire

Dominic Huckbody: “We all love a show, don’t we?”

What happens when a graduate show is abruptly cancelled?

Designers To Hire

Sabah Iqbal could be big in Pakistan

The BA Fashion Design Womenswear talks identity studies and turning down a house and a job

Graduate Shows  –  Mar 2021

These CSM MA Fashion graduates prove that fashion is political

Explore the process and sketchbooks of 8 designers from this year’s Central Saint Martins’ MA Fashion course

Fabio Piras on the CSM FASHION MA 2021 Show

Fashion Educators  –  Mar 2021

“Just exist”: Fabio Piras’ call for disruption

The head of Central Saint Martins MA Fashion reminds us what it means to create

Designers To Hire

Freja Wesik, in praise of do-it-yourself

The designer waves goodbye to university with a rainbow tinted homage to DIY

Designers To Hire

Fi Grew makes fashion without clothes

Photographing and collaging against the basic preconception of fashion

Designers  –  Mar 2021

Masha Popova on her London Fashion Week debut

The Central Saint Martins graduate shares the realities of doing her first show from home

Designers To Hire

Lykke Lund Rasmussen on uncovering memories through fashion

How much of us do we carry with us forever? ‘Memória’ challenges the identity of dress by creating a tactile dimension of captured recollections