Sabah Iqbal could be big in Pakistan
The BA Fashion Design Womenswear talks identity studies and turning down a house and a job
Mollie-may Boyd on the irrelevance of the outcome
The BA Fashion Design with Marketing graduate questions a fashion education relying on theoretical concepts and overly polished images
Isidora Durovic: The case for improvisation in design
From childhood modelling for Celine to designing during the pandemic, Serbian designer Isidora Durovic digs into the Working Girl handbag for her graduate collection
François-Xavier Lefebvre and the fashionable fetish
Where latex Vacuum Cubes meet playful design to escape everyday life.
How Yasmina Atta is channeling surrealist African cinema through her graduate collection
The Nigerian designer talks on capturing the feeling of in between-ness that exists when two cultures merge through a single collection that bonds traditional Nigerian doctrines with modern crafting techniques
One year out
How well do creative courses prepare students for the reality of post-graduate life? The CSM BA Womenswear class of 2018 share their thoughts.
Balenciaga Revival!
Behind the scenes of Transmissions: Heritage and New Creation
Karen Heshi: “Why must a suit look like a suit?”
The designer reflects on the tension between functionality and identification in her graduate collections.
Rin Choe on the artistry of pattern cutting and deconstructing Korean tradition
Choe fell into the industry unexpectedly, but in doing so, her collection aims to rewrite the traditions of her Korean heritage
Jamie Sutherland and the magpie’s paradise
Mixing 16kg worth of scavenged Nitrous Oxide canisters and luxury essential ‘toilet paper’ together in a grad collection
Dahee Kim on abandoning the rulebooks and challenging childhood oppression
The Korean designer explores the isolating group culture and name-calling from her schooling days into a collection that celebrates self-expression and individuality
