Representing the creative future

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Nico Verhaegen designs an ode to nomadic existence

An unusual parallel is drawn between shamans and bike messengers in Verhaegen’s recent graduate collection.

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Catherine Hudson: The tension of displacement

The British designer wants to reflect the diasporic experience of the Rastafari subculture in her garments.

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The unfunctional bags of Julie Kegels

When form does not quite follow function. A lesson in Belgian rebellion.

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Shanghai-based designer Zheng Lu believes the future is mechanical

A collection about rebelling against industry norms, Zheng Lu’s search for a well-oiled fashion system led him to create workwear with his own spin on anti–fashion

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Dance influences meet architectural details in designer Sun Mu Lee’s sporty garments

The South Korean designer works with body movements to transpose architecture into garments

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Eleanor Chapman: The power of adapting

The British designer believes that modular garments are the future of sustainable fashion

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Karolina Widecka and design by conspiracy theory

Her MA collection, ‘Where’s the Curve?’, focuses on conspiracy theories and the paranoia they provoke

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Swiss designer Virginie Jemmely on shifting sartorial codes

Geneva graduate Virginie Jemmely subverts society’s archetypal figures by reinventing the traditional womenswear wardrobe

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Lily Xu: Knitting Yourself Back Together

MA Knitwear graduate Lily Xu on tackling loss and loneliness through clothing

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For Zhuoran Li, the body is a blank canvas

How a leg surgery as a kid impacted the designer’s views for years to come

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Wenhai Su on cross-cultural heritage and sustainable development

Expressing a fragmented impression of youth and culture, ‘Crystal Blinkers’ is an exploration of Wenhai’s multi-layered world.

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How Annemarie Saric is making luxury available for all with her MA collection

The Austrian designer mirrored the streamlined shapes of concept cars, inspired by the beacons of future possibility for her graduate collection to highlight the power of the silhouette