Karen Heshi: “Why must a suit look like a suit?”
The designer reflects on the tension between functionality and identification in her graduate collections.
“I don’t really see myself as a fashion designer,” – Belgian artist Chris Lensz on mixing fashion design and photography
His graduate collection presented lots of tailoring and revolved around the concept of Victorian mourning
Rin Choe on the artistry of pattern cutting and deconstructing Korean tradition
Choe fell into the industry unexpectedly, but in doing so, her collection aims to rewrite the traditions of her Korean heritage
Orlando Yates’s jackets recall pre-COVID wild times at festivals
Menswear designer Orlando Yates on his sunrise-hued garments that were inspired by waking up at festivals
Zitong Wang: In bloom
The Chinese designer is using distorted images of nature to redefine the codes of masculinity
Eleanor Chapman: The power of adapting
The British designer believes that modular garments are the future of sustainable fashion
Joe Pearson presents Five Archetypal Men in One Collection
His work explores notions of masculinity that range from the elegant yet nonchalant appearance of the dandy to Mr Pearl’s corsets to the traditional businessman’s suit
Jamie Sutherland and the magpie’s paradise
Mixing 16kg worth of scavenged Nitrous Oxide canisters and luxury essential ‘toilet paper’ together in a grad collection
Kat Lau’s man: contemporary, unregulated and free like a bird
Inspired by theories on the relation between body and mind, London-based menswear designer Kat Lau creates lightweight functional pieces that are meant to last.
Vintage aficionado, Jiyong Kim, uses nature as a design device
What does it look like when nature becomes your greatest collaborator?
