Representing the creative future

Interviews  –  May 2023

How do you turn your creative talent into a viable career?

D&AD’s Shift night school offers creatives an alternative into the industry

Fashion Image  –  May 2023

Should you use AI for your creative work?

AI models are generating a lot of fuss (and words). But can it be useful to fashion professionals?

Opinion  –  May 2023

Pain or privilege? What it takes to live from your art

Can you really survive as an artist? Three artists share how they make money in art

Graduate Shows  –  May 2023

Toronto Metropolitan University BDes 2023: Legacy, Presence and the Artisanal

Childrenswear, art-to-wear, lingerie, and costume design; discover this year’s Toronto design class

Designers  –  May 2023

Keep your eyes on the Woolmark Prize

The oldest fashion design competition might just hold the key to our industry’s future

Designers  –  Apr 2023

Are you ready for a knitwear revolution?

IFM Knitwear Director Adam Jones explains how knitwear can transform our industry

Artists  –  Apr 2023

“The best way to protest is to create”: In conversation with Louise Gray

The multidisciplinary artist and educator on her latest exhibition, collaboration, and finding freedom in creativity

Schools  –  Apr 2023

Can vintage fashion be a source of education?

Valentino Vintage opens up their second-hand initiative to schools and students

Opinion  –  Apr 2023

The next creative revolution will take place on the factory floor

A healthier industry can only exist if the gap between design and production is closed

Fashion Image  –  Mar 2023

Ai Kamoshita on the craft of styling and how Fruits Magazine got her into fashion

Stylist Ai Kamoshita in a candid conversation with CSM Fashion Communication student Nimie Li

Designers  –  Mar 2023

The creative director of Collina Strada, Hillary Taymour, teaches the avant-garde to be pragmatic

The brain and soul behind Collina Strada talks us through the reality of sustainably running a small business