1 Granary
Representing the creative future
Quarantine Dispatch #9: From Paris to Budapest
Flora Inez Poprádi, a Nicaraguan-Hungarian fashion designer currently based in Budapest shares her diary entries
Fashion Trust Arabia: Zeid Hijazi explains how he won
The Jordanian-Palestinian designer is one of the five winners of this year’s Fashion Trust Arabia
Tiempo De Zafra on how developing countries suffer from overproduction
The creative collective has had enough with the fashion industry’s obsession with more. This is what they do to fix it
Misha Japanwala - Embodying Realities
The Pakistani designer amplifies the voices of women who else wouldn’t be heard by creating body casts that tell stories of oppression, violence, and empowerment.
The thinking behind the first digital show of The Royal Academy of Arts Antwerp
How can dreaming become a tool to create something new?
Fashion Week shouldn’t exist in 2025
As systemic flaws are laid bare by Covid-19 and technology unlocks new worlds, Steve Salter argues that shows and schedules will soon be radically reimagined.
Duran Lantink shoplifts H&M and Zara to create political clothes
The Dutch designer speaks out on the flaws of the fashion industry and actively works towards creating a more moral system
Is 2020 the time of the elevated self-portrait?
Hubert Crabières on wearing objects and adapting his creativity to the new normal
Fashion Schools in Lockdown: Italy
Staff and students from Italy’s fashion schools on dealing with the coronavirus pandemic
No Money in their Prada purse
Meet Giulia Mensitieri, the anthropologist who uncovered the precarity of fashion workers
Does it really take a genius?
To what extent does our fixation with individual talent enable a culture of abuse?
How can fashion designers prepare for the job market post-lockdown?
Will fashion companies be hiring post-pandemic? Three major fashion recruiters share their input
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.