Representing the creative future

Scrolling through art with the Gram_Institute

Martin Strocca, founder and head curator of the newly-published Gram_Institute Gallery, talks us through the importance of authenticity and what the future of art distribution looks like.

Jun 20, 2017

Behind the scenes: this year's MA Fashion graduates

An interview with the photographer who followed the MA Fashion course during their most stressful weeks.

Apr 14, 2017

Bjarne Melgaards' Casual Pleasure of Disappointment

Head designer Gahee Lim takes us through the details of participating in a Melgaard exhibition.

Apr 13, 2017

Is the air you breathe affecting the art you make?

Ayesha Tan-Jones's project is inherently political and an effort to make a difference in climate change.

Mar 20, 2017

Ben Doherty on the fallibility or vulnerability of an artwork

The Royal Academy Schools student on his worship-like art pieces, and how the institution helps furthering his work.

Mar 8, 2017

Making sense of our world through sculpture - Benjamin Renoux's first solo show in the USA

There are billions of new images created everyday. What does it say about the world we live in?

Mar 2, 2017

"If it is shit, make it better": the fine art ethos of Thomas Langley

"How do you function when you’ve been given this meal ticket?" Royal Academy Schools MA Fine Art student Thomas Langley shares how his (free) education is influencing his practise.

Mar 1, 2017

Degree in Progress: Siân Toolan and Antoine Langénieux Villard

The clock is ticking. What work are final year students producing leading up to their degree show?

Feb 7, 2017

No walls – just Ruins taking over Mexico City

In the era of Trump, Ruins Magazine is putting on an art show in Mexico.

Feb 1, 2017

Meet the duo turning human orifices into exhibition spaces for the Berlin Biennale

New Scenario proposes new definitions of 'hole-in-one'.

Jan 26, 2017

1 Granary

Magazine Issue 6

With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.

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