1 Granary
Representing the creative future
Scrolling through art with the Gram_Institute
Martin Strocca, founder and head curator of the newly-published Gram_Institute Gallery, talks us through the importance of authenticity and what the future of art distribution looks like.
Behind the scenes: this year's MA Fashion graduates
An interview with the photographer who followed the MA Fashion course during their most stressful weeks.
Bjarne Melgaards' Casual Pleasure of Disappointment
Head designer Gahee Lim takes us through the details of participating in a Melgaard exhibition.
Is the air you breathe affecting the art you make?
Ayesha Tan-Jones's project is inherently political and an effort to make a difference in climate change.
Ben Doherty on the fallibility or vulnerability of an artwork
The Royal Academy Schools student on his worship-like art pieces, and how the institution helps furthering his work.
Making sense of our world through sculpture - Benjamin Renoux's first solo show in the USA
There are billions of new images created everyday. What does it say about the world we live in?
"If it is shit, make it better": the fine art ethos of Thomas Langley
"How do you function when you’ve been given this meal ticket?" Royal Academy Schools MA Fine Art student Thomas Langley shares how his (free) education is influencing his practise.
Degree in Progress: Siân Toolan and Antoine Langénieux Villard
The clock is ticking. What work are final year students producing leading up to their degree show?
No walls – just Ruins taking over Mexico City
In the era of Trump, Ruins Magazine is putting on an art show in Mexico.
Meet the duo turning human orifices into exhibition spaces for the Berlin Biennale
New Scenario proposes new definitions of 'hole-in-one'.
1 Granary
Magazine Issue 6
With unprecedented honesty and depth, 1 Granary Issue 6 dives into the work and lives of fashion designers today. As a response to the construction of desire and personality cults that govern our industry, the magazine steps away from the conventional profiles and editorials, focussing instead on raw work and anonymous, unfiltered testimonies. For the first time ever, readers are given a truthful insight into the process, dreams, fears, hardships, and struggles of today’s creatives.