Representing the creative future

Miscellaneous  –  Feb 2026

There’s a load of Margiela (in plastic bags) on sale this week

We asked the sellers, Byronesque, about their anti-auction approach to selling vintage clothes.

Graduate Shows  –  Feb 2026

HEAD Genève MA 2025: a response to uncertain times

From lingerie-inflected tailoring to experimental construction, the collections explore fashion as a personal, protective and politically charged practice.

Miscellaneous  –  Jan 2026

A 4-month diary of a designer mentorship

Mentor Rafaël Adriaensens and mentee Mattia Van Severen invite us into their strategy meetings.

Miscellaneous  –  Dec 2025

How to edit a collection like a filmmaker

What cinema teaches fashion designers about decision-making.

Designers  –  Dec 2025

How to edit a collection like a filmmaker

What cinema teaches fashion designers about decision-making.

Miscellaneous  –  Dec 2025

SKETCHBOOKS FROM 6 CSM RESET SHOW COLLECTIONS

A closer look at the process and ideas behind a handful of students' work.

Designers  –  Dec 2025

How to attract a global audience to your local brand

Dirt started life in Bali during the pandemic. Five years later it’s grown an international customer base.

Fashion Educators  –  Dec 2025

Influential Fashion Educators: Ragna Sigríður Bjarnadóttir, IUA, Reykjavík

The advantages of studying in a country without a fashion industry.

Miscellaneous  –  Dec 2025

How to watch cinema like a designer

Treating film as method, not reference, changes how you design. A practical guide.

Designers  –  Nov 2025

How burnout changed this independent bag designer's goals

Robin Deceuninck went from Ann Demeulemeester to Adidas, before taking time out to re-evaluate what he wanted from the industry.

Fashion Educators  –  Oct 2025

Influential Fashion Educators: Elina Peltonen, Aalto, Finland

How to study fashion when the industry's centre feels far away.